LINKED ARTICLE
Review of Traces, Erasures, Resists in C Magazine https://cmagazine.com/issues/151/traces-erasures-resists-laiwan
LINKED ARTICLE
2021 Emily Award Recipient: https://www.ecuad.ca/news/2021/attending-to-small-marvels-with-interdisciplinary-artist-laiwan
2021 Emily Award Recipient: https://www.ecuad.ca/news/2021/attending-to-small-marvels-with-interdisciplinary-artist-laiwan
LINKED ARTICLE
LINKED ARTICLE
Keith Wallace, “Laiwan and Lori Freedman: Uniting Visual Art and Music - art in the body, the body in art"”, MusicWorks #94, Spring 2006, Toronto, pp. 24-31
“Comment taquiner le millénaire?” Christine Ross, Le Devoir, Montréal, 21 April, 2001, p. C9
“DUET” by Nelson Henricks, YYZine, YYZ Gallery, Toronto, April 2006
"Has anyone seen Chipper Mah from Summer Afternoon?" by Kevin Griffin, The Vancouver Sun, March 10, 2015
“Exploring the issue of improvisation” by Robert Amos, The Times Colonist, Victoria, February 28, 2002
“A waterfall of sight and sound” by Meg Walker, Monday Magazine, Victoria, BC. February 28-March 6, 2002, Volume 8, issue 9
Review of Kiss by Ivan Jurakic, Lola Magazine, Toronto, Fall 2001, pg.79
Review of Da Bao by Miraim Nadar, Canadian Art , June 7, 2012
LINKED ARTICLE
http://prismmagazine.ca/2021/04/01/discovering-the-syntax-of-sensuality-a-review-of-laiwans-tender/
LINKED ARTICLE
Stations: Instagram Takeover with Marcus Prasad at the Belkin Gallery
Marcus Prasad on she who scanned the flower of the world: “Perhaps in a more abstract sense though, I think this work demonstrates site-specificity by the kind of space it creates – a realm of ephemerality within one that is physical, a momentary lapse in the familiar temporality of gallery-viewing that draws us into close looking, slow analysis and deep reflection upon oneself and the object before us.”
https://belkin.ubc.ca/stations-instagram-takeover-with-marcus-prasad/
LINKED ARTICLE
Artists-in-Residence at UBC by Gregory Elgstrand — “Artist-in-residence programs hold terrific potential to generate new approaches to collective knowledge production as distinctive as the art they produce. UBC’s interdisciplinary academic culture has proven an ideal environment for attracting artists working across all manner of disciplines to participate in artist residencies for the benefit of artist, scholars and students. Vancouver artist Laiwan is presently winding down a residency on campus with the Department of Earth, Ocean and Atmospheric Science as Vancouver artist Holly Schmidt’s residency with the Morris and Helen Belkin Art Gallery is in nascent form. […][Outdoor Art at UBC Bulletin Fall/Winter 2018]
LINKED REVIEW
“Works by Laiwan and Ryan Peter part of Vancouver's latest Coastal City public art installations” by Amanda Siebert on June 14th, 2016
Launched on May 16, the Coastal City series will see new works appearing on a monthly basis through October.
Barnacle City, one of the works presented earlier this week, was created by interdisciplinary artist Laiwan.
“Queer Arts Festival extending its reach, drawing top talent” by Dana Gee, The Province newspaper, July 22, 2014
“Queering The International speaks to love, hate around the world” by Robin Laurence, The Georgia Straight, July 31, 2014
“Photo Flashback is refreshing” by Robin Laurence, The Georgia Straight, February 8, 2012, pg 43
LINKED STORY
The Barnacle Bus and Chinatown in 1956 by LOUIS LAPPREND.
Last April (2018), a mysterious bus parked around the corner of Keefer and Quebec streets, in Vancouver’s Chinatown. The bus was an art project from Laiwan, part of Emily Carr University’s LivingLabs Ten Different Things project series.
“Feminist Art provides more than a flashback” by Robin Laurence, The Georgia Straight, March 18, 2004
“The Artist As Curator” by Robin Laurence, The Georgia Straight, March 18, 2004, pg 61
“Transit Information: A Review of Laiwan’s ETHOS” by Jessica Molčan, blog post, October 2, 2010
“(Be)Longing” by Alice Jim, Fuse Magazine, Toronto, Vol 20 #2, Spring 1997
